In 1986 when the MusŽe des Art
DŽcoratifs in Paris's Palais du Louvre
presented "Dale Chihuly Objets de
Verre," the artist was only the fourth
American to be given a solo exhibition.
The chief curator and director of the
Centre du Verre, Yvonne Brunhammer,
writes in her introduction, "His place in
the story of American glass is that of
pioneer and absolute master." The French
and English exhibition catalog illustrates
examples of all of Chihuly's series to date
and features the just developing
"Persians," described in the illustrated
Vocabulary of Forms as "an experimental
direction exploring new possibilities
derived from the blowpipe." To place
Chihuly's work "in the context of
American and international art," the
Metropolitan Museum of Art's former
curator of Twentieth-Century Art, Henry
Geldzahler, declares that "Artist and
Craftsman are categories for the ego, not
ways in which to make useful or even
meaningful esthetic distinctions." In his
essay, Robert Hobbs, then director of the
University of Iowa Museum of Art,
focuses on the
Macchia, calling the works
"vital but not organic, containers whose
primary role is to communicate their own
significance as works of art."
1986 Softcover, 9" x 11 1/2"
40 pages, 33 color reproductions
ISBN: 978-1-57684-026-9