Seeing Northwest Indian baskets
collapsing under their own weight
inspired Dale Chihuly to create his
groundbreaking Basket series. He
translated the sagging woven fiber works
into translucent glass, eternally arresting
their surrender to gravity--stopping
time--and staking out his own aesthetic
territory with those asymmetrical forms.
In "Chihuly: Baskets", art historian
Linda
Norden, who first wrote about the artist in
1982, searches for a critical context for
this work in an "unabashedly personal
effort to reconsider just what Chihuly's
rather maverick art entails and to evaluate
his paradoxical position vis-s-vis the
contemporary art world in which he
works." Northwest historian Murray
Morgan writes about the Native American
baskets that so fired Chihuly's imagination
when he saw them in the storerooms of
the Washington State Historical Museum
in 1977. Scattered throughout the book are
brief statements by the artist revealing his
working process. The series development
is illustrated with full-page photographs of
early installations and of the individual
glass works and drawings. Sepia-toned
photographs of Indian baskets in
Chihuly's personal collection and
full-color working shots add to this
comprehensive study of Chihuly's
Baskets.
1994 Hardcover
12" x 12"
148 pages, 73 color reproductions
ISBN 13: 978-1-57684-003-0
ISBN 10: 1-57684-003-4